In Motion

The Frame,
Extended

A long exposure is time made still. A reel is the same patience, set moving again — one take, no cut. Scroll to advance the film.

Reel I Nightfall, Held

Single take · no cut · scroll to advance

A long exposure is time made still — the minutes pressed into a single frame. A reel is the same patience, set moving again. I do not cut. The camera holds one position and lets the light pass through the duration, exactly as it would across a plate.

There is no edit to hide behind. What you advance, by scrolling, is the real time the frame stayed open — slowed, grayscale, returned to you a few seconds at a touch. The moving image forgets the moment the same way the still one does; it only takes longer to leave.

Stillness and motion are the same exposure, measured differently.

— Notes on Long Exposure, 2023

Motion works

Six reels · single-take · by appointment

Each reel is a single, uncut take — screened privately, by appointment.

Viewing

The reels are not streamed.
They are screened.

Each motion work exists as a single-take exposure, held in an edition of three and screened privately for collectors and institutions. There is no public stream — the work is reserved and shown, not posted.

Reserve a private viewing →